Over the past few years, the battle to go into space has been fought primarily between two people: Jeff Bezos, the Amazon lord who regularly hopes to take private citizens into suburban space with Blue Origin, and Elson Musk, Telsa Baron whose SpaceX hopes to colonize Mars. (Richard Branson’s Virgin Galactic is also in the mix.)
But what about Tom Sax?
The American artist may not own a rocket company, but he has been exploring universal passion for space for more than a decade, starting with the Moon of Gagosian in 2007 and the Moon of Park Avenue Armory on Mars (2012) and the Moon of Jupiter (2016). In September, he opened Space Program: Rare Earth, An experience at the Dictorhalen Museum in Hamburg that allows visitors to mimic the rare mineral mines on the world’s nearest asteroid, which is needed to continue iPhone production. Most recently, he launched a capsule collection with Canadian retailer Ssense, a sponsor of the Deichtorhallen show. The selection includes ceramic mugs, folding chairs, T-shirts, a Casio watch and more, and was unveiled last week on a microsite that allows viewers to get an idea of the project from afar. At the same time, the Montreal Store is hosting an installation of Sax Works and distributing a limited edition Zine.
An interesting contrast to Sax’s space projects is that while space exploration is aesthetically defined by technological innovations, Sachs’ artwork is characterized by handwork and human imperfections. Those interested in fashion and art will recognize her handwriting, which spans her studio, film and fashion collaboration, and in recent exhibits the piece is made with foam core, plywood and hot glue. Through video chat last week, he said, “The best thing I’ve ever made is that we’re definitely using it right now – this phone, this supercomputer, if it’s in the palm of your hand, can work endlessly.” And yet “the phone has no proof that it was made” – no hand sign, no sign of its construction from human work. It is fully automatic. Or, as Sax put it, “One of the great achievements of this is that it is a miracle. There are no seams. Even the software is built in such a way that it is there without even knowing it.
Sax likes to show SIMs, which separates the industry from the machine. “Artists have an advantage over the art, in that Apple can never do anything as flawed and personal as my sculpture,” he said. “It can’t font. [Artificial intelligence] Can’t sing It makes words that sound like music, but it can’t. It cannot create the soul. And the artist has this advantage. The artist can say, I am someone. I’m here. And this is a quality that I am always trying to enhance. ”
The quality is further enhanced by the pieces created with Sensens, which is known for its unconventional collaboration but considers the Sax project and its attendant website as the first type of digital competitor in an art exhibition. “I’m interested in making things permanent,” Sachs said. “The 10 T-shirts you wear once are the most expensive T-shirts you can have. And the $ 100 t-shirt you wear a thousand times is the best price you can make. And I think with Ssense we have the quality of all the products we have created. As he noted, everything is made in the United States; He is especially proud of the quality of the shirt. His favorite piece is a leatherman, a Rolls Royce with a pocket knife. “I hope everyone uses it,” he said.[and] It’s not on a shelf, but they use it and they steal it, and if they break it, they fix it.