‘Meet the Parents’ style of unbeaten fall

For many – including this author – Autumn is associated with a certain strain of New York romantic comedies, especially the story of Nora Efron. One of the late author’s favorite films is Falling Leaves and Comfortable Knitwear, a secondary character – especially from 1989. When Harry met Sally, Which has earned both the status of a top-level rum-com and a Great Fall style movie. But Efron has no suffocation in the movie of comfortable clothes. And when you don’t think about the Ben Steeler 2000 comedy Meet the parents As a legendary fall style film, well: you will be wrong. Today, the movie stands as a timeless snapshot of autumn men’s fashion – a bizarre reflection of modern-day men’s clothing.

The movie does not immediately declare itself sophisticated and full of classic style. Steeler’s Greg Focker is a Chicago native dressed in run-of-the-mill, turn-of-the-millennium metropolitan. He basically dresses like a gap guy. Greg and his girlfriend, Pam Byrnes (Terry Polo), head east to visit his family. You probably remember the rest: the airline loses Greg’s luggage, which means he’s forced to borrow clothes from Pam’s extra-protective father Jack (Robert De Niro) and his pot-smoking younger brother. The Byrnes family lives in a well-to-do part of Long Island and arranges that part to choose a truly classic take on East Coast style ঠিক exactly where Ralph Lauren and LLB’s fall catalog meet.

Robert De Niro, Thomas McCarthy, Terry Polo, Ben Stiller Inn Meet the parents, 2000Courtesy of Everett Collection / Universal Pictures

“We wanted to make it feel timeless,” explains Daniel Orlandi, the Emmy-winning costume designer who worked on the film. “It was a lot of Brooks Brothers and Paul Stewart. They’ve been making these clothes for decades, and the look hasn’t really changed. “For Orlando and the director, the concept of the movie is quite relevant — everyone has met their parents এবং and that leadership of clothing should follow.

The dinner scene where Greg prays like a slam poem and then accidentally throws the ashes of Jack’s dead mother on the floor is most remembered for his antique-level crease comedy. (“I have nipples, Greg — can you give me milk?”) But seeing this recently, I was most hurt by Greg’s certified fruit fit. She wears an olive turtleneck sweater, black pants and a particularly nice flannel jacket. (Aime is no different than Leon Dore.) The look is completely drawn from Jack’s own closet and sets the tone for East Coast men’s clothing that will be a visual constant throughout the rest of the film. Orlandi took that jacket from Purdey, a long-running rifle company that also makes hunting clothing that was a store on Madison Avenue at the time. (He said he received gun catalogs in the mail a decade later, but would have to pay a small price for such a great piece of outerwear.)

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